Kolkata bangla gaan online dating

The Bauls themselves attribute their lack of historical records to their reluctance to leave traces behind. Jeanne Openshaw writes that the music of the Bauls appears to have been passed down entirely in oral form until the end of the 19th century, when it was first transcribed by outside observers.suggests that Bauls are descendants of a branch of Sufism called ba'al.In 2005, the Baul tradition was included in the list of "Masterpieces of the Oral and Intangible Heritage of Humanity" by UNESCO.The word Baul has its etymological origin in the Sanskrit word Vātūla ("mad", from vāyu - "air" or "wind") and is used for someone who is possessed or crazy.Bauls are an extension of the Sahajiya philosophy, which in turn derives from the Nath tradition.They believe in living the world as a half-sanyasi. Some modern scholars, like Shashibhusan Das Gupta have suggested that it may be derived either from Sanskrit word vatula, which means "enlightened, lashed by the wind to the point of losing one's sanity, god's madcap, detached from the world, and seeker of truth", or from vyakula, which means "restless, agitated" and both of these derivations are consistent with the modern sense of the word, which denotes the inspired people with an ecstatic eagerness for a spiritual life, where a person can realise his union with the eternal beloved – the Moner Manush (the person of the heart).Bauls are a very heterogeneous group, with many sects, but their membership mainly consists of Vaishnava Hindus and Sufi Muslims.Although Bauls comprise only a small fraction of the Bengali population, their influence on the culture of Bengal is considerable.

Those who choose family life live with their wives, children and relations in a secluded part of a village.They do not mix freely with other members of the community.Unlike ascetic Bauls, their rituals are less strict.Their music represents a long heritage of preaching mysticism through songs in Bengal, as in the Shahebdhoni or Bolahadi sects.Bauls pour out their feelings in their songs but never bother to write them down. It is said that Lalon Fokir (1774 -1890), the greatest of all Bauls, continued to compose and sing songs for decades without ever stopping to correct them or put them on paper.

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Like the Sufi, the Baul searches for the divine beloved and finds him housed in the human body.

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